The vocal melody is a superb example of Schubert's remarkable ability to achieve the high levels of art song yet maintain the simplicity of folk music. Liszt's transcription of Die Forelle is largely an embellishment of Schubert's Lied. Liszt first gives an extended introduction based on the accompaniment's characteristic motif.
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Die Forelle, (German: “The Trout”) song setting for voice and piano by Franz Schubert, composed about 1817 (with later revisions), with words by Christian Friedrich Daniel Schubart. It is among the most familiar of Schubert’s approximately 600 songs, and it is best known as the basis for the theme Franz Liszt was born to Anna Liszt (née Maria Anna Lager) and Adam Liszt on 22 October 1811, in the village of Doborján (German: Raiding) in Sopron County, in the Kingdom of Hungary, Austrian Empire. Telecharger Schubert Serenade Arr Liszt ... Telecharger Schubert Quot Ständchen Quot Serenade FREE Sheet Music P ... Pour votre recherche Standchen Schubert ... The image on the right is low resolution. Our purchased sheet music is high resolution and can be enlarged without any reduction in quality. Description: Standchen Serenade: Voice and Piano.
Franz Peter Schubert (1797-1828) was an Austrian composer. He wrote some 600 lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing. New Sheet Music: Liszt – Transcriptions of Songs by Schubert Transcriptions and paraphrases played an important part in shaping Liszt’s role as leading musical figure of his generation. The first pianist to play the entire range of the keyboard repertory from Bach to Chopin, his historical curiosity and ambitions did not stop there. By Norman Lebrecht / April 23, 2008. A year after his death, the hole left by Mstislav Rostropovich at the heart of the cello shows no sign of healing. Two giants dominated the instrument throughout the 20th century and endowed it with moral purpose, to the point where the cello became the recognised voice of humanity.